jellobiafrasays:

pamphlets from the understanding the atom series (1964-1968 eds.)

(via scishow)

thedsgnblog:

Studio Weidemüller    |    http://weidemuller.com

"Our identity reflects our own design principles and our multi-cultured background. Every detail is carefully selected and crafted with the same effort we put in every project. We believe in the power design has to change the perception of a business."

Studio Weidemüller is a small independent design studio, focusing on brand identities, digital solutions and objects for international & local clients. As a studio they strongly believe  in working with talented peoples, so if you want to show them your work or have an idea for a project to collaborate on, feel free to contact them.

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thedsgnblog:

Lauren Hom    |    http://homsweethom.com

"Lettering for a line of inspirational gift tags."

Lauren is a designer, illustrator, and letterer based in Brooklyn, New York. Her love for hand-drawn typography and doodles, combined with the speed and precision of the computer, has led her to develop a unique type style that’s crisp and clean, yet whimsical and handmade. Known for her bright color palettes and playful letterforms, Lauren has created work for clients like YouTube, Los Angeles Magazine, and Simon & Schuster. She finds that she’s happiest when creating; so, when she’s not working, you can find her baking yummy things, sewing funny pillows, or sketching out her next tattoo.

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foxmouth:

Cosmos, 2014 | by Shoji Kawabata

(via moralnihilism)

theparisreview:

Many painters are afraid of the blank canvas, but the blank canvas IS AFRAID of the truly passionate painter who dares—and who has once broken the spell of ‘you can’t.’”

From a Vincent van Gogh letter to his younger brother, Theo.

artandsciencejournal:

Dissolving the Photographic Medium

The materiality of developed film and photographs allows us to not only hold onto people and memories, but create the material objects themselves, connecting us even closer to what is displayed before us. But what happens when the image is purposefully destroyed or altered?

South Korean artist Seung Hwan Oh develops “film matter [with] organic matter” to create “distorted, psychedelic images” which are a result of bacteria interacting with the photo surface. By ‘destroying’ the image, the artist displays a sort of vulnerability of the photographic medium and our memories; if a photograph can be destroyed so easily, does it also destroy the memory it portrayed?

Where Seung Hwan Oh meant to distort the image through biological methods, artist Jennifer Bouchard uses chemicals from Polaroids to “decompose and ‘denaturalize’” the figurative image. Bouchard takes apart the Polaroids by elements, revealing the ‘barebones’ of the chemical reactions needed to create an image. The artist then processes the result to be displayed through digital means, allowing the image to be blown up to larger proportions, as if for study.

Aesthetically, Seung Hwan Oh’s ephemeral pieces look like a combination of digital works and paintings, while Jennifer Bouchard’s work includes a layer of optical dimensions, which makes it seems like strips of fabric have been used to alter the image, rather than chemicals.

These are only a few examples of how bacteria and chemicals have become an artistic medium within contemporary art practises.

Anna Paluch

(via scishow)

" I am under no obligation to make sense to you. "

nevver:

Nature embroidered, Meredith Woolnough

(Source: meredithwoolnough.com.au, via whisplash)

theme